Film and Other Issues
I realize it has been quite a while since I posted a new entry to this blog. Without getting in to too much detail, I have spent the last two weeks in production on a short film entitled "The Dinner Engagement" which was produced for the Film II course I am currently taking at college in preparation for graduation this summer.
This particular short was shot on 16mm color negative film, and in light of the experience, I thought it would make a good topic for the readers of this blog.
I wanted to address the difference between film and video without turning into into an "either/or" argument. My only experience shooting on film prior to this had been on black and white reversal film, an extremely sensitive stock. To complicate things, I shot this project on a Bolex camera, which for me was not a very reliable model. Several of the cameras in circulation had defects involving the camera gate, and one had a crack in the lens that poured extra light into the aperture, ruining the film.
My experience with using the Arri SRII has been much more positive. In fact, I would now say that if given my ideal production outfit, I would choose to shoot on color negative film rather than DV. This is quite a turnaround for me, as I am a huge advocate of MiniDV for many reasons-the cost, for one; it's ease of use and accessibity to young filmmakers; not to mention the superb visual quality of a well-shot DV piece. Film requires you to pay more attention to light, which cannot be over-emphasized. In addition, film requires a great deal more rehearsal before the cameras roll for the simple fact that you want to shoot as few unnecessary retakes as possible.
The question is, does either format clearly "win out" as my format of choice? I hesistate about committing to one or the other in such a statement, but I would argue that 5oo T Color Negative film provides unparalleled picture quality and ability for artistic lighting, while MiniDV, which can achieve excellent results, overcomes the cost barrier in a way that film never will.
Labels: 16mm, adventures in filmmaking, arriflex, bolex, film, miniDV



